Journey Through "The Secret Life of Plants" | ||||
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Soundtrack album by | ||||
Released | October 30, 1979 | |||
Recorded | February–April 1979 | |||
Studio |
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Genre | ||||
Length | 89:32 | |||
Label | Tamla | |||
Producer | Stevie Wonder | |||
Stevie Wonder chronology | ||||
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Singles from Stevie Wonder's Journey Through "The Secret Life of Plants" | ||||
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Stevie Wonder's Journey Through "The Secret Life of Plants" is an album by Stevie Wonder, originally released on the Tamla Motown label on October 30, 1979. It is the soundtrack to the documentary The Secret Life of Plants, directed by Walon Green, which was based on the book of the same name by Peter Tompkins and Christopher Bird. It contains two singles that reached the Billboard Hot 100 charts: "Send One Your Love" (No. 4) and the minor hit "Outside My Window" (No. 52). The single "Black Orchid" reached No. 63 in the UK.
Wonder created the film score by having Michael Braun, the film's producer, describe each visual image in detail, while the sound engineer, Gary Olazabal, specified the length of a passage. This information was processed to a four-track tape (with the film's sound on one of the tracks), leaving Wonder space to add his own musical accompaniment. [1] Wonder attempted to translate the complex information of the book and film into song lyrics. "Same Old Story," for example, tries to convey the scientific findings of Jagadish Chandra Bose, who developed instruments to measure plants' response to stimuli, and the breakthroughs of African-American agriculturalist George Washington Carver. While written mostly by Stevie Wonder, some songs were collaborations with Syreeta Wright, Yvonne Wright, and Michael Sembello.
Journey Through "The Secret Life of Plants" contained new synthesizer combinations, including the first use of a digital sampling synthesizer, the Computer Music Melodian, [2] used in most tracks of this album. [3] Journey is an early digital recording, released three months after Ry Cooder's Bop till You Drop , generally believed to be the first digitally recorded popular music album, with this album being the second. Stevie Wonder was an early adherent of the technology and used it for all his subsequent recordings. The music was recorded onto U-matic video tapes using a Sony PCM-1600 digital PCM adaptor, and edited with a digital controller also from Sony. [4]
Tamla/Motown originally released the album as a double LP in a tri-fold sleeve. [5] The front cover was embossed, and following Wonder's recent trend of printing Braille messages on his albums, the cover illustration was captioned below in Braille for blind readers:
⠄⠁⠃⠧ ⠯ ⠔⠎⠊⠙⠑ ⠮ ⠑⠍⠃⠕⠎⠎⠫ ⠎⠟⠥⠜⠑ ⠊⠎ ⠮ ⠳⠞⠇⠔⠑ ⠷ ⠁ ⠋⠇⠪⠻ ⠾ ⠧⠑⠔⠫ ⠇⠂⠧⠑⠎⠲
⠠⠌⠑⠧⠊⠑ ⠠⠺⠕⠝⠙⠻⠄⠎ ⠄⠚⠳⠗⠝⠑⠽ ⠄⠐⠹ ⠠⠮ ⠠⠎⠑⠉⠗⠑⠞ ⠠⠇⠊⠋⠑ ⠷ ⠠⠰⠏⠇⠁⠝⠞⠎⠲
"Above and inside the embossed square is the outline of a flower with veined leaves. Stevie Wonder's Journey Through The Secret Life of Plants." [6]
Initial pressings of the album were also scented with a floral perfume. [7]
After Stevie Wonder's previous albums Innervisions (1973), Fulfillingness' First Finale (1974), and Songs in the Key of Life (1976) all won the Grammy Award for Album of the Year, his next project was highly anticipated, and Motown marketed it aggressively. Although the Secret Life of Plants documentary film never received a wide release, Wonder's soundtrack album went all the way up to number four in the Rock and R&B Billboard charts in 1979 and was also certified platinum by Productores de Música de España, [8] while the single "Send One Your Love" also reached number four. However, sales tapered off quickly, and label head Berry Gordy reportedly complained that the one million copies he pressed turned out to be 900,000 too many. [6]
Wonder supported the album in late 1979 with a six-city tour, performing nearly the entire album live with his band Wonderlove and the National Afro-American Philharmonic Orchestra (conducted by James Frazier Jr.). [9] Reflecting the orchestra's presence and the album's atmospheric tone, the tour venues included concert halls and opera houses. [10] The shows began with the Plants music (partially accompanied by film projections), followed by a second half spanning his career hits. [11]
Date | City | Venue |
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November 28, 1979 | Chicago, Illinois | Auditorium Theatre |
November 29, 1979 | Detroit, Michigan | Ford Auditorium |
November 30, 1979 | Detroit, Michigan | Cobo Arena |
December 2, 1979 | New York, New York | Metropolitan Opera House |
December 3, 1979 | Philadelphia, Pennsylvania | Academy of Music |
December 4, 1979 | Washington, D.C. | DAR Constitution Hall |
December 9, 1979 | New York, New York | Madison Square Garden |
December 18, 1979 | Pasadena, California | Civic Auditorium |
Review scores | |
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Source | Rating |
AllMusic | [12] |
Christgau's Record Guide | B− [13] |
DownBeat | [14] |
Pitchfork | 7.7/10 [15] |
Rolling Stone | (mixed) [16] |
Rolling Stone | [17] |
Smash Hits | 6/10 [18] |
Yahoo! Music | (mixed) [19] |
Baltimore Sun | (favorable) [20] |
New York Times | (favorable) [21] |
Journey Through "The Secret Life of Plants" has sometimes been considered a "vague" and "overambitious" album; [22] it has been called "goofy", "nerdy", "odd", "pointless" and "foolish", [23] and for listeners and critics it was seen as too much of a departure from his string of melodic albums. [23] However, some critics have also described it as "courageous", "achingly sweet", and "bafflingly beautiful". [23] Stephen Holden in a review for the Village Voice remarked that the album has "the painful awkwardness of a barely literate sidewalk sermon", though Wonder "manages to transform even the worst of this drivel into a spiritual jargon that's virtually a different language; his very in-articulateness clears the way for us to tune in to the ineffable, nonrational flow that's his obsession." [24]
Wonder remarked in 2004 that the album "was an experimental project with me scoring and doing other things I like: challenging myself with all the things that entered my mind from the Venus's Flytrap to Earth's creation to coming back as a flower." [25]
The cover of the album was selected by Rolling Stone in 1991 for their list of 100 Classic Album Covers as a memorable example of album art. [26]
Cash Box said "Outside My Window" was a "truly joyous, pastoral love song, utilizing the universal image of the flower to lyrically represent all that is fair and beautiful in nature." [27] Record World said of it that "A deep, dense bassline is mixed alongside Wonder's uplifting vocals on this mid-tempo track." [28]
Solange Knowles named it as an influence on her 2019 album When I Get Home . [29]
KAINA covered the song "Come Back as a Flower" on her 2022 album It Was a Home . [30]
All tracks written, produced and arranged by Stevie Wonder.
Side one
Side two
Side three
Side four
Chart (1979) | Peak position |
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Australian Albums (Kent Music Report) [32] | 24 |
Dutch Albums (Album Top 100) [33] | 12 |
German Albums (Offizielle Top 100) [34] | 33 |
New Zealand Albums (RMNZ) [35] | 16 |
Norwegian Albums (VG-lista) [36] | 8 |
Swedish Albums (Sverigetopplistan) [37] | 13 |
UK Albums (OCC) [38] | 8 |
US Billboard 200 [39] | 4 |
US Top R&B/Hip-Hop Albums (Billboard) [40] | 4 |
Region | Certification | Certified units/sales |
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Canada (Music Canada) [41] | Gold | 50,000^ |
Netherlands (NVPI) [42] | Gold | 50,000^ |
Spain (PROMUSICAE) [8] | Platinum | 100,000^ |
United Kingdom (BPI) [43] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. One of the most acclaimed and influential musicians of the 20th century, he is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Innervisions is the sixteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on August 3, 1973, by Tamla, a subsidiary of Motown Records. A landmark recording of Wonder's "classic period", the album has been regarded as completing his transition from the "Little Stevie Wonder" known for romantic ballads into a more musically mature, conscious, and grown-up artist. On the album, Wonder continued to experiment with the revolutionary T.O.N.T.O. synthesizer system developed by Malcolm Cecil and Robert Margouleff, and Innervisions became hugely influential on the future sound of commercial soul and black music.
Syreeta Wright, who recorded professionally under the mononym Syreeta, was an American singer-songwriter, best known for her music during the early 1970s through the early 1980s. Wright's career heights were songs in collaboration with her ex-husband Stevie Wonder and musical artist Billy Preston.
Hotter than July is the nineteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on September 29, 1980, by Tamla, a subsidiary of Motown Records. Wonder primarily recorded the album in Los Angeles, California, at Wonderland Studios, which he had recently acquired. The album peaked at number three on the Billboard Top LPs & Tapes chart and was certified Platinum by the Recording Industry Association of America (RIAA) on February 3, 1981. It was Wonder's most successful album in the UK, where it peaked at number two on the UK Albums Chart and produced four top-10 singles. Music videos were produced for the album's first, third, and fourth singles.
Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
Fulfillingness' First Finale is the seventeenth studio album by American singer-songwriter, musician, and record producer Stevie Wonder, released on July 22, 1974 by Tamla, a subsidiary of Motown Records. It is the fourth of five albums from what is considered Wonder's "classic period".
"If You Really Love Me" is a song written by Stevie Wonder and Syreeta Wright. Wonder recorded the song and released his version as a single from his 1971 album Where I'm Coming From. The single peaked in the top 10 of the Billboard Hot 100, Billboard′s R&B chart, and Billboard′s Easy Listening chart.
"Send One Your Love" is a 1979 soul single by American and Motown musician and singer Stevie Wonder from his album Stevie Wonder's Journey Through "The Secret Life of Plants" (1979). Released in November 1979 as the album's lead single, the song reached number four on the US Billboard pop singles chart in 1979 The song also became Wonder's second single to top the adult contemporary chart, following 1973's "You Are the Sunshine of My Life", topping the chart for four weeks. On the soul charts, "Send One Your Love" went to number five.
"Part-Time Lover" is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder's final number one hit to date. The song's simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12" version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.
Conversation Peace is the 22nd album released by American musician Stevie Wonder, on the Motown label in 1995. The album was Wonder's first full-length non-soundtrack studio album since 1987's Characters. This album yielded the hits "For Your Love" and the reggae-flavored "Tomorrow Robins Will Sing". This album also saw Wonder reuniting with Robert Margouleff, who assisted during Wonder's "classic period" from 1972 to 1974.
The Force Behind the Power is the nineteenth studio album by American singer Diana Ross, released on September 10, 1991, by Motown Records. The album reached No. 11 on the UK Albums chart and became the biggest selling studio album of her career there, selling over half a million copies in the UK alone.
"Overjoyed" is a hit single written and performed by American R&B singer-songwriter Stevie Wonder on the Tamla (Motown) label from his 1985 album In Square Circle. The single peaked at No. 24 on the Billboard Hot 100 chart in April 1986, remaining in the Top 40 for six weeks. In addition, "Overjoyed" was a No. 1 hit on the adult contemporary chart, the eighth of his career. An alternate single release featured an instrumental version on the B-side.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
Stevie Wonder Presents: Syreeta is the second studio album by American singer and songwriter Syreeta Wright, released by Motown on June 19, 1974.
One to One is the third studio album released by American R&B singer and songwriter Syreeta Wright in February 1977 by Motown. It serves as her first album Wright released where former husband Stevie Wonder did not oversee most of its production, instead only being involved with the song "Harmour Love", which was released as a single.
"It's a Shame" is a song co-written by Stevie Wonder, Syreeta Wright and Lee Garrett and produced by Wonder as a single for the Spinners on Motown's V.I.P. Records label. The single became the Detroit-reared group's biggest single on the Motown Records company since they had signed with the company in 1964 and also their biggest hit in a decade.
"Pops, We Love You " is a 1978 single recorded and released by Motown stars Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder, as a tribute to Berry "Pops" Gordy Sr. who had died that year from cancer.
Yvonne Lowrene Wright was an American songwriter and vocalist best known for co-writing with Stevie Wonder in the 1970s. Their songs appear on the albums Music of My Mind, Talking Book, Fulfillingness' First Finale, and Stevie Wonder's Journey Through "The Secret Life of Plants".